By Naomi Shaefer Riley, Christine Rosen (Editors)

“Sizing up and taking down the issues we learn, watch, and play, this all-star workforce of analysts presents a chain of delightsand surprises that would make you examine anew the deep constructions that tell our lives, even if we predict we’re off-duty.”—Kyle Smith, motion picture critic, manhattan PostContemporary pop culture, from books to movie to tv to song to the private corners of the net, has provoked loads of feedback, a few of it good deserved. but for plenty of american citizens, and especially for more youthful american citizens, pop culture is tradition. it's the simply type of cultural adventure they search and the foreign money during which they trade.In Acculturated, twenty-three thinkers study the rituals, the myths, the tropes, the unusual conduct, the practices, and the neuroses of our smooth period. each tradition unearths a manner for individuals to inform tales approximately ourselves. we depend on those tales to coach us why we do the issues we do, to check the boundaries of our event, to reaffirm deeply felt truths approximately human nature, and to coach more youthful generations approximately vice and advantage, honor and disgrace, and greatly extra. A phenomenon just like the present crop of fact tv indicates, for instance, with their bevy of “real” housewives, super-size households, and child beauty-pageant applicants, turns out an not going position to discover truths approximately human nature or examples of advantage. And but on those indicates, and in a lot else of what passes for pop culture nowadays, a stunning subject emerges: flow past the visible extra and hyperbole, and you'll find the makings of vintage morality tales.As the name indicates, readers will locate in those pages “ACulture Rated.” This vigorous roundtable of “raters” comprises not just well known cultural critics like Caitlin Flannigan and Chuck Colson, but additionally celebrated tradition creators just like the manufacturers of the hit ABC comedy glossy family members and the host of TLC’s What to not put on. Editors Christine Rosen and Naomi Schaefer Riley have tasked those contributors—both the critics and the insiders—with taking a step or again from the unceasing din of pop culture so they may possibly greater pass judgement on its worth and its values and aid readers imagine extra deeply concerning the that means of the narratives with which they're bombarded each waking minute. In doing so, the editors desire to foster a wide-reaching public conversation—one that might aid we all to imagine extra basically approximately our culture.Free excerpts, movies, and extra observation to be had on www.acculturated.com.

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Additional resources for Acculturated: 23 Savvy Writers Find Hidden Virtue in Reality TV, Chic Lit, Video Games, and Other Pillars of Pop Culture

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Every advice columnist who is at all serious about the work has to come to it with humility, as well as trusting one’s own philosophy. It is no small thing to write what is read by millions of people—with at least some percentage of them taking your word as gospel.

People are watching! Those who prefer Web-based introductions because they think it gives them more control over how they present themselves might want to consider what a diligent Google sleuth can turn up. Where you live, the value of the house you own, how you looked on a particularly bad hair day are just the beginning. Enter all the commentary littering a profile page into the equation, and two people who might have felt sparks fly in person reject each other out of hand. ” She cites politics in particular, with clients telling her that they declined a meeting after some Web snooping revealed that a potential date contributed money to a candidate or supported a cause they didn’t like (good thing Mary Matalin and James Carville didn’t try to find spouses this way).

And still no delivery from KwikToy, the rapid on-line present service. ” Rich calls from the bedroom. His voice sounds slurry with sleep. Good. Kate is running, running. . She spends as much time dodging her husband and children as she does talking to them; she resents her nanny but lavishes the woman with gifts for fear she’ll quit, and at work she’s constantly behind and having to cover for it. In Sophie Kinsella’s The Undomestic Goddess (2005), meanwhile, Samantha Sweeting has been running so hard and so long that she can’t remember the last time she took a weekend off.

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