By Anthony Bruno

Bad Guys, the 1st e-book within the Gibbons and Tozzi mystery sequence, introduces FBI brokers Mike Tozzi and Cuthbert Gibbons, odd-couple companions and committed mob-busters. Hot-headed Tozzi is going renegade, and Gibbons is pulled out of retirement to forestall him. jointly they discover a mystery crime relations headed by way of Richie Varga, a convicted mobster pulling the strings from the security of the witness security software. whilst Tozzi will get concerned with Varga’s horny ex, the fur rather begins to fly.

“This sequence dazzles with quickly, difficult plotting, tremendous characters, and humor …”—Publishers Weekly

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Additional info for Bad Guys (Gibbons and Tozzi, Book 1)

Example text

Falling randomly through time is not what he had planned, and his right hand with the faded scar starts to shake. Through the side window, his eyes’ focus begins to slip on the field, making it lose its definition and look like a spotted watercolor version of his childhood yard. As his hands slide over the wheel that is faintly slick from its last protectant treatment, he glances over his finger’s faded scar again. His mind flies ahead, and he leans to look at himself in the rearview mirror. His face appears to be so much younger that it is startling despite its familiarity, looking like he’s in his early twenties.

Falling randomly through time is not what he had planned, and his right hand with the faded scar starts to shake. Through the side window, his eyes’ focus begins to slip on the field, making it lose its definition and look like a spotted watercolor version of his childhood yard. As his hands slide over the wheel that is faintly slick from its last protectant treatment, he glances over his finger’s faded scar again. His mind flies ahead, and he leans to look at himself in the rearview mirror. His face appears to be so much younger that it is startling despite its familiarity, looking like he’s in his early twenties.

He exclaims as he slams the car into gear, tosses the device atop the t-shirt and paper where his copilot would sit, and turns the Chevelle around rapidly. Sending dirt floating up in the air into a gritty haze around the tree and spattering specks on his rear fender, his glowing taillights are a bouncing blur. He pulls his car into St. Christopher’s parking lot, the third school of the evening. It is the only one of the three that he did not attend. He has, however, been to St. Christopher before to see its plays.

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