By Jeff Drake, Justin Hook, Rachel Hastings, Chad Brewster, Mike Olsen

http://www.comicvine.com/bob-s-burgers-4/4000-470439/

Five never-before-seen tales from the Belcher relatives! Tina is going Gothic… and unintentionally unleashes a perilous Franken-Butt; Louise discovers what it’s prefer to disappear; Bob turns a few of his favourite motion pictures into burgers; Linda supplies a demo tape and a few album paintings; and Gene unveils “Chupacabra-Cadabra, The Musical.”

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However, they are included in long shots or when seeking to create a striking effect I When drawing a long shadow, jot down parallel guidelines for the shoulders, elbows, waist, and knees. uddle Shadows Solid black Tone Use an elliptical form for shadows at the feet. Be sure to draw as well portions that will not be visible in the final com position. ood Crosshatched Outline Gradation tone Diagonal hatching Use a straightedge to draw fine, horizontal lines.

1 1/8"). Shadows may be added to the body. Here, the figure is approx. 6 to 7 em or 2 3/8" to 2 3/4" tall. For this size, 1 opted to render her "red" bangs using solid black in lieu of tone. Full Figure: Medium (Fig. height approx. 10 to 12 em or 3 7/8" to 4 5/8") Add shadows to ·- These are b sized head s While differ8fl hair volume them appear extremely di in size, the f features are same size. When showing the full figure, shadows may be added to the face, even if the figure is bust-shot size.

Sun to figure's back; light source at upper left back) Moderately abundam shadows Shadows rendered in hatching ~I Shadows form on clothed figures approximately the same as they --= 6f' ;_~ 1 would on a nude. • .... )£>. ~·~ Minimal shadows standard shadow volume 55 Shading the Back Scapula (Shoulder blade) Add shading to the small of the back. Upper left light source 56 e Back of a Jacket figure Upper right light source Special effect: Lower back light source This lighting is suited to dramatic scenes such as scifi related or on the roof of a building.

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