By Eric Gans
Regardless of showing in twenty-eight videos in little over a decade, Carole Landis (1919-1948) by no means really turned the most important Hollywood celebrity her onscreen presence must have afforded her. even supposing she acted in such enduring motion pictures as A Scandal in Paris and Moon over Miami, she used to be customarily relegated to assisting roles. even if she performed the most important position in a characteristic, as she did within the Powers lady and the movie noir I get up Screaming!, she used to be billed moment or 3rd at the back of different actors. This biography lines Landis's lifestyles, chronicling her beginnings as a dance corridor entertainer in San Francisco, her occupation in Hollywood and in a foreign country, her USO performances, and eventually her suicide. utilizing interviews with actors who labored with Landis, modern motion picture magazines and journals, and correspondence, biographer Eric Gans unearths a sad determine whose existence was once all too short. Landis's large holiday got here in 1940 with Hal Roach's 1000000 B.C. She seemed in 13 20th Century-Fox photographs among 1941 and 1946. In 1942-43, Landis entertained troops in England and North Africa within the simply all-female USO travel. The journey resulted in her memoir, 4 Jills in a Jeep, and a Fox motion picture of an analogous identify. After her final American movie in 1947, she accomplished tasks in England whereas having an affair with married actor Rex Harrison. stricken by a love which can no longer result in matrimony and depressed approximately growing old, she took a deadly drug overdose on July five, 1948. Eric Gans is professor of French at collage of California, l. a.. he's the writer of various books together with so much lately The Scenic mind's eye: Originary considering from Hobbes to the current Day, and his articles have seemed in lots of periodicals.
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Extra resources for Carole Landis: A Most Beautiful Girl (Hollywood Legends)
In life or in film (with the unconvincing exception of A Scandal in Paris), Carole was never the cold seductress who attracted desire by her lack of it; she seemed rather to have felt that her very desirability imposed on her the responsibility to desire no less than she was herself desired. As a consequence, the world of sexual desire, pleasure, BEGINNINGS (1919–1935) 21 and disillusion, however deeply she ventured into it, could not deform her into either an unself-respecting tramp or a vampish exploiter of her sexiness.
The plot, adapted from a 1931 novel by Thorne Smith, the risqué sophisticate who gave us the Topper series, centers on a couple’s exchange of genders after a quarrel in which each expresses envy of the other’s role; the turnabout is effected through the power of a mysterious animated bust from India (played by a Frenchman). After the switch, Carole and John swap bodies with each other, but strangely (and comically) keep their original voices, so that John’s body speaks with Carole’s voice and vice versa.
Morgan, who would serve with distinction in World War II, later married a close cousin of Lucille Ball and was for a long time the publicity director of Desilu Productions. By her own account, Carole learned at a Warners Christmas party that Republic was hiring. But her actual introduction to the studio occurred in March 1939, as recounted in colorful fashion by director William Witney: The usual weekly get-together of our gang was at Ralph and Virginia Byrd’s house. Although it was March, we’d had an early spring and a badminton game was in full swing.