By Bruce G. Hallenbeck
Enjoyable and fright have lengthy been companions within the cinema, relationship again to the silent movie period and progressing to the Scary Movie franchise and different contemporary releases. This consultant takes a complete examine the comedy-horror motion picture style, from the earliest stabs at melding horror and hilarity throughout the nascent days of silent movie, to its full-fledged improvement with The Bat in 1926, to the Abbott and Costello motion pictures pitting the comedy duo opposed to Frankenstein’s Monster, the mother and different common Studio monsters, carrying on with to such contemporary cult hits as Shaun of the Dead and Black Sheep. chosen brief motion pictures corresponding to Tim Burton’s Frankenweenie also are lined. pictures and promotional posters, interviews with actors and a filmography are integrated.
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Additional info for Comedy-Horror Films: A Chronological History, 1914-2008
Once Jackson bonds with the pretty maid played by Marguerite Whitten, there’s a lot of subtle (and not-so-subtle) subversion of white culture going on. When you consider the fact that a black character causes the downfall of a Nazi, well, the implications speak for themselves. Along the way, the actors (and the audience) have a lot of fun. At one point, Jackson is apparently hypnotized by Sangre into becoming a zombie. But the subtext is that he may be merely pretending to be hypnotized. ” Moreland did show up in another Monogram zombie ﬁlm called Revenge of the Zombies in 1943, but it wasn’t a comedy-horror ﬁlm and it wasn’t nearly as good as King of the Zombies.
Was engaged today by Paramount for the leading role opposite Bob Hope in The Cat and the Canary. Miss Goddard replaces Shirley Ross, who was originally cast. ” And so it was that Hope and Goddard teamed for what would be the ﬁrst of three ﬁlms. Producer Arthur Hornblow Jr. and Paramount chose Elliott Nugent to direct. He had been a stage actor and leading man in early talkies, but eventually became far better known as a writer, producer and director. C. Nugent, he had cut his teeth in vaudeville and got into ﬁlm roles in 1929.
I’m gonna have to paint you white,” that’s the kind of humor that makes modern audiences a tad uncomfortable. However, there’s nothing mean-spirited in the relationship between Hope and Best in the ﬁlm, and part of the fun of it is seeing how these two comic masters top each other with verbal bon mots. One of the best examples of these comes when they’re exploring the castle, and Hope says to Best: “Listen, you stay there, and if a couple of fellas come runnin’ down the stairs in a few minutes, let the ﬁrst one go.