By Princeton Review
If you want to comprehend it, it truly is during this book. The 2013-2014 variation of Cracking the SAT Literature topic Test brings you:
· four full-length perform assessments with specific causes for all questions
· A thorough and fascinating topic assessment of prose, poetry, narrative voice, subject, meter, shape, tone, and more
· a whole lot pattern passages and drills
· An up to date keyword phrases record
Read Online or Download Cracking the SAT Literature Subject Test, 2013-2014 Edition PDF
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Extra resources for Cracking the SAT Literature Subject Test, 2013-2014 Edition
Inc. Copyright renewed 1955 by Langston Hughes. “There Is No Frigate Like a Book” reprinted from The Complete Poems of Emily Dickinson, edited by Thomas H. Johnson, by permission of Little, Brown and Company. “Blue Girls” copyright 1927 by Alfred A. Knopf, Inc. and renewed 1955 by John Crowe Ransom. Reprinted from Selected Poems, Third Edition, Revised and Enlarged by John Crowe Ransom, by permission of Alfred A. Knopf, Inc. “Madman’s Song” copyright 1921 by Alfred A. Knopf, Inc. and renewed 1949 by William Rose Benét.
6. After waiting all through the night, Joan and David were told that no more petitions would be accepted, and their request for medicine for their sick child would go unheard. 7. “Knock, knock, knock” was tapped out to signal that a club member was at the door. 8. The new attorney on the case was practically pompous. 9. ” Answers can be found on this page. Drill #3 Read the following poem carefully before you choose your answers. 1. The main verb in the second stanza is (A) rising (line 14) (B) pushing (line 18) (C) fall (line 20) (D) shall content (line 21) (E) will be heard (line 24) 2.
Summary Did you get all that? • Common terms will be tested; obscure terms will not. • You don’t need any outside knowledge of literature. • Start studying early. • You get one raw point for a correct answer and – point for each wrong answer. Chapter 4 Test Strategies In this chapter, you’ll learn some general test strategies, from determining how many and which passages to attack—and in what order—to the power of Process of Elimination, eliminating careless errors, knowing how and when to guess, and getting your answers onto the score sheet.