By Federico Zeri

The endurance of reminiscence (Spanish: los angeles persistencia de los angeles memoria Catalan: los angeles persistència de los angeles memòria) is a 1931 portray by way of artist Salvador Dalí, and is certainly one of his so much recognizable works. First proven on the Julien Levy Gallery in 1932, the portray has been within the selection of the Museum of recent paintings (MoMA) in manhattan urban due to the fact that 1934 which acquired it from an nameless donor. it's well known and often referenced in pop culture.

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Instead of a painting inside a theater, he included the whole theater in his paintings: The stage was constructed by Chagall, actors' faces were painted, and 34 all In Revolutionary Russia: 1 9 7 8—1 9?? "^ Granovsky's innovative theater underwent a transformation under the impact of Chagall's painting. For a short time, it became one of the most famous theaters in Russia and in Western Europe. " walls," said Efros, an apartment, run-down, its New York. tenants had fled. " didn't see anything but a vestige of a kitchen, and "here"?

Nevercome for various academicisms. All the talk about theless, the time has not "naturalism" and "populism" new. The life of the is premature. The old did not produce the new is always different, that is, the new moves forward. New living forms with new contents appear. Hence, the treasures of museums and burial caves can serve us only as an example of wonderment, but not as a model for imitation. The real tragedy is in those waves of stylization that flood us time and again, in the turn to the distant culture Bach, Offenbach, or Zola.

Of crisis, . For twenty- five years same ideas, The development The 1 have worked in even more stubbornly than earlier trends of modern art began and schools such art, and continue to hold the at first. as especially with Impressionism. Neo- Classicism with the artists David and Ingres, Romanticism with Delacroix and Naturalism with Courbet— all those remained mainly in the domains of ideology, and ideology is much different, not in this my view, from the ideology of previous centuries of art.

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