By Cindy Leaney
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Or Another sign of a true gentleman. He has a great deal of charm Now and again a playful wink, something he never allows his camera. Horst's photography has been have made a change. buy a farmhouse tied to the studio. A naked boy even more in Austria. Then, in 1962, him from the yoke of fashion. He was able His point of pride. No the commentaries. Rooms were artificial light. to No A naked so. At one on gid time, a beach would he wanted to give up and Diana Vreeland appeared to travel, at least photograph at interiors Vogue.
He is itself. But class and a genius. with a playful wink. \ he would say, Horst in his studio, New York, Photo: Johann D.
He coloured prints modelled by man- visited Baron Philippe de Rothschild, couldn't admire her enough. She devised the American painter Cy Twombly palazzo - entirely spontaneous images of an unconventional aimmaging through relaxed scenes, too: a young lord lifestyle. in his old There are one of the rooms the bric-a-brac in of his newly inherited property. These, then, were the best years worked almost exclusively for at Vogue. After the departure of Diana Vreeland he House and Garden. of a magazine like Vogue, not everything Horst is it, New York he manages He occasionally to still works still lifes, in Paris, too.