By Troy H. Gardner

During this unauthorized booklet, writer Troy H. Gardner casts an analytical eye at the Sleepaway Camp sequence, a horror franchise that has accumulated a cult following. Gardner calls upon numerous movie concept concepts to envision the enduring Angela Baker. Essays comprise shut readings of the flicks, the ultimate woman trope, the jobs of water and the camp atmosphere, personality reviews of Ricky and Judy, the horredy development, and plenty of extra. This enjoyable assortment is ideal for any Sleepaway Camp fan, movie theorist, or horror lover.

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It was little scenes— a group on a boat in one scene and then we did some sequences in a park. I don’t really remember much about it. For me, it was just a job — a way of paying the bills. Were the nudies still a big success back then? I guess so. It was the first time any theatre in America had shown full frontal nudity and I remember that we were all sitting in the theatre wonder- Mondo Keyhole (1966) 39 ing if we were going to get busted — if the police were going to come in and raid the place.

That could have been easily fixed during the editing but in his heart I think he just wanted two pictures instead of one. So he sold the Yugoslavian picture off as a second feature and ended up with another movie —Blood Bath— which was a complete picture. So, you see, I had been using quite a bit of footage from the Yugoslavian picture and when he decided not to use that the picture was too short and needed padded out. That is how Stephanie Rothman came in. Can you say how much of the finished film is yours?

I would say this was more of Mondo Keyhole (1966) 33 a suspense thriller though — in the Psycho tradition. To me a horror film is Frankenstein, The Wolf Man, Dracula... Do you think the movie has much in common with the horror picture you made after it — namely, Spider Baby? Well, there is something very much in common — I used the same sound stage in Glendale because it had a pit in it and there is a pit in both pictures. In Blood Bath the pit is full of wax. Is Spider Baby what you consider to be your real directorial debut?

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